The term “masturbatory story” can evoke strong reactions. For some, it may bring to mind self-indulgent writing—narratives that serve no purpose other than the author’s gratification. For others, it might represent an honest, unfiltered exploration of human sexuality and personal fantasy.
But what exactly constitutes a masturbatory story? Is it a genre, a critique, or simply a dismissive label for writing deemed too self-serving? In this post, we’ll delve into the meaning behind the term, its place in literature, and why such stories—whether literal or metaphorical—hold significance in both personal and cultural contexts.
Defining the “Masturbatory Story”
At its core, a masturbatory story can be interpreted in two ways:
- Literal Interpretation: A narrative that explicitly describes or revolves around masturbation—either as a central theme or as an intimate character exploration.
- Metaphorical Interpretation: A piece of writing criticized as self-indulgent, serving only the writer’s ego rather than offering meaningful engagement for the reader.
Both interpretations are worth examining, as they touch on broader discussions about sexuality, creativity, and artistic purpose.
Masturbation in Literature: Breaking Taboos
Historically, masturbation was a taboo subject in literature, often shrouded in shame or medical misinformation (remember the 18th-century myths about its “harmful effects”?). However, modern and postmodern literature has increasingly embraced it as a legitimate theme.
Notable Examples of Masturbatory Narratives
- “The Masturbator” by Alain Robbe-Grillet – A surreal, fragmented exploration of fantasy and self-pleasure.
- “Portnoy’s Complaint” by Philip Roth – A controversial novel where the protagonist’s sexual frustrations (including masturbation) drive the narrative.
- “Tampa” by Alissa Nutting – While not solely about masturbation, it includes raw, unfiltered depictions of sexual compulsion.
These works challenge societal discomfort with self-pleasure, framing it as a natural, even artistic, human experience.
The “Masturbatory” Critique: When Writing is Called Self-Indulgent
Beyond literal depictions of masturbation, the term is often used pejoratively to describe writing that feels:
- Excessively introspective without broader relevance.
- Gratuitously detailed in a way that serves no narrative purpose.
- Lacking in discipline, as if the writer is “pleasing themselves” rather than engaging the audience.
Why Do Critics Use This Label?
Some argue that calling a story “masturbatory” is a way to dismiss experimental, avant-garde, or deeply personal writing that doesn’t conform to traditional storytelling. Others believe it’s a valid critique when a work feels more like a writer’s private fantasy than a crafted piece for readers.
Is There Value in “Self-Indulgent” Writing?
Absolutely. Many groundbreaking works were initially deemed self-indulgent—James Joyce’s “Ulysses” and Jack Kerouac’s spontaneous prose come to mind. Sometimes, the most personal writing resonates the deepest.
Why We Need Masturbatory Stories
1. Normalizing Sexual Honesty
Stories that depict masturbation without shame help destigmatize a universal human experience. They challenge puritanical attitudes and encourage body positivity.
2. Exploring Inner Worlds
A “masturbatory” narrative (in the metaphorical sense) can be a raw, unfiltered dive into a character’s psyche. When done well, it offers intimacy that polished prose sometimes lacks.
3. Artistic Freedom vs. Reader Expectations
Not all writing needs to cater to an audience. Some stories exist purely as creative release, and that’s valid. The question is whether the writer acknowledges this or markets it as something else.
How to Write About Masturbation (Without It Feeling “Masturbatory”)
If you’re crafting a story involving masturbation—or any deeply personal theme—here’s how to keep it engaging rather than alienating:
1. Give It Purpose
- Is it revealing character? (e.g., a lonely protagonist finding fleeting comfort)
- Is it advancing the plot? (e.g., a moment of vulnerability before a major decision)
2. Avoid Gratuitousness
Unless the excess is the point (as in Bret Easton Ellis’s “American Psycho”), ask: Does this detail serve the story?
3. Balance Introspection with Action
Even in a highly internal narrative, movement—whether emotional or physical—keeps readers engaged.
Conclusion: The Power of the Masturbatory Story
Whether literal or metaphorical, masturbatory stories force us to confront our discomfort with privacy, self-pleasure, and artistic self-indulgence. They challenge norms, provoke thought, and sometimes even redefine literature.
